An example of a billboard/poster advertisement |
Using Henry Jenkins’ (2006) understanding of convergence, “the
flow of content across multiple media platforms, the cooperation between
multiple media industries, and the migratory behavior of media audiences who
will go almost anywhere in search of the kinds of entertainment experiences
they want”, one is able to grasp the meaning of “where old and new media
collide” (Jenkins 2006:2). Digital media convergence is essentially the
adaptation of present media and communication industries and cultures to new
technologies.
A major advertising medium was the telephone directory due
to the telephone being an essential business tool. Another was the classifieds
advertising usually found in newspapers. These two well-placed forms of
advertisements soon lost out to the internet as the internet gradually “opened
up to commercial users” (Spurgeon 2008:34). Replaced by online recruitment
services and advertisers such as Seek and Yodel respectively, it was “more convenient,
faster and cheaper” for consumers.
The emergence of social network sites also stimulated the new
advertising age as advertisers were able to share their products and campaigns with
consumers who in turn shared it with their network of friends. Marshall (2009) identifies
‘spreading’ as a way to which advertisers are able to expand. Facebook for example,
allows the sharing of information between consumers’ networks based on similar interests
or with all parties within a network. With the popularity of information
sharing on social networks such as Facebook and Twitter, a new revenue of
opportunity opened up in the form of image sharing network sites such as Tumble
and Pinterest. Allowing consumers to ‘spread’ images within their network, these
sites gave advertisers new creative energy as they integrated and made full use
of digital imaging softwares in their advertisements.
Television also played a part in advertising as brands
strove to advertise their products and campaigns during the breaks of programs,
entertaining the mass audience and appealing to their consumerism. In the 60s and 70s, television commercials used catchy songs and slogans to captivate their audience. Now, shorter commercials with more action than words appeal to the mass audience. Nonetheless,
the emergence of the internet caused a drop in revenue for television
advertisements. In order to re-capture the ever-decreasing attention span of
consumers, advertisements have had to adapt and find new ways in which to
capture attention. A popular form of
advertising in the form of entertainment that replaced television is YouTube. YouTube
rose in the ranks rapidly since its 2005 debut, making it the “go-to website
for finding topical and obscure streaming video clips” (Hilderbrand 2007:48). Marshall
(2009:87) is of the opinion that “the success of YouTube is its connection to
further distribution via email networks and links on social network sites”,
making it the “starting point for a kind of viral movement of video content
from friend to friend, email post to Facebook site”. Coupling social network
sites with YouTube, advertisers are now able to assure themselves of a global
audience within the span of a week at the most, depending on the topic of
advertisement.
A Pepsi TV commercial in 1978
A Pepsi Commercial in 2007
After the internet, the ‘third generation’ of mobile phone
standards, or more commonly known as 3G, that merged "wide-area voice telephony with
internet access” (Wilken 2009:436) emerged, allowing consumers and network
operators a wider range of mass communication than before as 3G allows access
to the “mobile internet, and send and receive mobile video and TV, and other
forms of data in addition to test. This enables a wider base for mobile
advertising with “considerable enhancements of the multimedia capabilities of
MMS” (Wilken 2009:436) through 'apps' or applications. With an increase
in internet usage, advertisers found new ways in which to spread their brands
through the form of 'apps' on mobile phones.
Smirnoff advertisements can be used as an example of digital
media convergence in advertising and new media. A 1966 poster featuring Woody
Allen is one of the most popular earlier forms of advertising from
Smirnoff. One of the easiest ways to capture
attention to this digital day and age through mass communication is by using
well-known house-hold names and faces to endorse a product or campaign. In the
60s, it was a sure-fire way of advertising a brand. By using Woody Allen’s fame,
Smirnoff was able to garner a large audience through magazines as well as
through printed posters. Another way Smirnoff cashed in on their idea of using
Woody Allen was through his stand-up comedy show as he dedicated one part of it to how he got to advertising the brand.
Woody Allen's 'The Vodka Ad' (Image from http://wellmedicated.com/inspiration/50-inspiring-vintage-advertisements/ ) |
Between 2009 and 2010, a new range of
advertisements in the form of images advertising Smirnoff were released.
Instead of using popular names and faces, Smirnoff now chose to use digital
imaging and editing in order to capture and relate to their audience. These
images went viral on image sharing sites such as Pinterest and Tumblr as well
as other social network sites such as Facebook and Twitter as its humor and
edited images appealed to the technologically-savvy mass audience.
Images are taken from http://artatm.com/2010/05/50-creative-and-inspirational-liquor-advertisements/
Late in
2011, Smirnoff got on the YouTube train and uploaded short video advertisements
as the audience for their still images decreased.
Smirnoff Intentions Commercial
Advertising has come a long way since the days of printed
advertisements in magazines and newspapers. It has evolved to keep up with the
ever-changing new technologies available in order to re-capture the attention
of consumers over and over again. From print to radio to television and then to
the internet, advertising has made full use of available new media while still keeping with the old media in the forms of billboards.
References
Jenkins, H. 2006, Convergence
Culture: Where Old and New Media Collide, New York, New York University Press, pp.1-24.
Spurgeon, C. 2008, Advertising
and New Media, Oxon, Routledge, pp. 24-45.
Marshall, P. 2009, ‘New Media as Transformed Media Industry’,
in Edt. Holt, J., Perren, A. (eds.), Media Industries: History, Theory, and
Method, Wiley-Blackwell, Malden, MA, pp. 81-89.
Hilderbrand, L. 2007, 'Youtube: Where Cultural Memory and
Copyright Converge', Film Quarterly, vol.
61, pp. 48-57.
Wilken, R. 2009, ‘Waiting for the Kiss of Life: Mobile Media
and Advertising’, Convergence, vol.15
(4), pp. 427-445.
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